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In the first of a series of ethno science fiction film Call Me Back (2019) I ask English youth living in regions effected by drastic environmental change to improvise their own science fictions, especially with regards to climate change, in order to research and represent young people’s perceptions and understandings of the future. In July […]
Over the past two years I have convened laboratories as part of FAN (Future Anthropologies Network) at the bi-annual meetings of EASA (European Association of Social Anthropologists) in Milan 2016 and Stockholm 2018. I have invited anthropologists attending the conference to conduct tentative research with local participants as they create their own superhero personas to […]
It’s me, James, from the future. The year is 2036. All the houses have gone. They’ve built some shops over the top of where the houses were. The only thing that is recognizable around here is the pub. The pub has stayed, which is incredibly impressive. They’ve built more and more units over the whole of Otley Road. It’s like one big [commercial] park and it has taken over the whole side by the river. […] Shipley is almost completely cut off now due to the frequent ﬂooding. Everyone has to take the long road around Bingley to come to Baildon now. They’ve just ruined it: just ruined it. There are just so many things wrong with it, everybody is ﬁghting for place with everybody. […] It’s horrible […] It’s nothing like it ever was and it’ll never be the same again.
This dystopic vision of the future was recorded as part of my ongoing research project Forward Play, which commenced in 2014. The objective of the research is to apply and critically examine the use of ‘ethno science ﬁction’ as an ethnographic and anthropological ﬁlm method. In the ﬁrst of a series of ethno science ﬁctions, I ask English youth living in regions affected by drastic environmental change to improvise their own science ﬁctions, especially with regard to climate change, in order to research and represent young people’s perceptions and understandings of the future.
Drawing on previous and ongoing research on ethnofiction films, this article suggests new perspectives on ethnographic fieldwork and filmmaking, where play stands at the centre of the epistemology. Projective improvisation in ethnofiction shares common denominators with play and especially role play, in which provocation, pleasure and flow motivate the performance. The article presents co-creative role play as a valid ethnographic method, based on the assumption that mimicry gives access to the implicit information of the play world, making it explicit through a reflexive approach.